ریمبراں: The Jewish Bride
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فن کار |
ریمبراں
(1606–1669) |
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متبادل نام |
Rembrandt van Rijn, Birth name: Rembrandt Harmenszoon van Rijn, Rembrandt Harmensz. van Rijn |
تفصیل |
Dutch painter، printmaker اور drawer |
تاریخ پیدائش/وفات |
15 جولائی 1606 |
4 اکتوبر 1669 |
مقام پیدائش/وفات |
لائڈن |
ایمسٹرڈیم |
مدتِ کار |
قریباً بین 1,625.0 و 1,669.0 date QS:P,+1650-00-00T00:00:00Z/7,P1319,+1625-00-00T00:00:00Z/9,P1326,+1669-00-00T00:00:00Z/9,P1480,Q5727902 |
مقامِ کار |
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تضبیط سند |
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artist QS:P170,Q5598 |
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عنوان |
Portrait of a Couple as Isaac and Rebecca, known as ‘The Jewish bride’ |
Object type |
مصوری |
صنف |
تصویر |
Depicted people |
اسحاق |
تاریخ |
بین 1,662.0 و 1,666.0 date QS:P571,+1662-00-00T00:00:00Z/8,P1319,+1662-00-00T00:00:00Z/9,P1326,+1666-00-00T00:00:00Z/9 |
وسیلۂ تخلیق |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
ابعاد |
اونچائی: 121.5 cm؛ اونچائی: 166.5 cm dimensions QS:P2048,121.5U174728 dimensions QS:P2049,166.5U174728 |
مجموعہ |
Rijksmuseum
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Native name |
Rijksmuseum Amsterdam |
Location |
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Coordinates |
52° 21′ 36″ N, 4° 53′ 07″ E |
Established |
1800 |
ویب سائٹ |
rijksmuseum.nl |
تضبیط سند |
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institution QS:P195,Q190804 |
مقام |
Gallery of Honour |
اضافہ نمبر |
SK-C-216 |
Place of creation |
ایمسٹرڈیم |
شے کی تاریخ |
توسط 1825 date QS:P,+1825-00-00T00:00:00Z/7,P1326,+1825-00-00T00:00:00Z/9 : Vaillant (Probably Christiaan Everhard Vaillant (1746-1829)), ایمسٹرڈیم
1825: purchased by John Smith (art dealer), لندن, from Vaillant, Amsterdam for 5,000 NLG
از 2 مئی 1828 تا 3 مئی 1828date QS:P,+1828-05-00T00:00:00Z/10,P580,+1828-05-02T00:00:00Z/11,P582,+1828-05-03T00:00:00Z/11 : sale of the collection of John Smith at Stanley, لندن, lot no. 67,, for 420 GBP (as ‘Lot 67. Rembrandt. Jephthah and his Daughter. The judge of Israel, in compliance with his rash vow, is about to sacrifice his only child. The parties, according to modern notions, appear to be habited rather for the matrimonial than the sacrificial altar, for their dresses are of rich stuffs, and silks of great brilliancy, and the lady is adorned with pearls and jewels; but this is strictly in accordance with ancient custom. Rembrandt, however inelegant in his forms, is generally correct in his adaptations; no painter whatever tells his story with more thruth; no painter whatever has found a nearer way to the understanding. Instead of the cold common-place of covering the father's face with a robe or a veil to hide his grief, he has representing him with joyous countenance, mingled with affectionate regard, congratulating his daughter on the transit she is about to make, and, as far as human nature will permit, exhibiting signs of satisfaction that he has the fortitude to accomplish his vow. His daughter stands the willing as well as the devoted victim: oriental custom commanded andenforced obedience; and, in her case, piety and filial affection rendered obedience easy. This capital picture, painted in the artist's best time, is from the Collection of Monsieur Vaillant, of Amsterdam.’)
جولائی 1833 (?): purchased by Albertus Brondgeest from Smith for Adriaan van der Hoop (1778-1854), Amsterdam for 6,825 NLG
1854: bequeathed to the city of Amsterdam, Inventory number SA 8292, by Adriaan van der Hoop, Amsterdam
30 جون 1885: lent to the Rijksmuseum Amsterdam, Amsterdam, Inventory number SK-C-216, by the city of Amsterdam
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Exhibition history |
Rembrandt. Schilderijen bijeengebracht ter gelegenheid van de inhuldiging van Hare Majesteit Koningin Wilhelmina, Stedelijk Museum, ایمسٹرڈیم, 8 ستمبر 1898–نومبر 1898, کیٹ. no. 119.
Rembrandt tentoonstelling ter plechtige herdenking van het 300-jarig bestaan der Universiteit van Amsterdam, Rijksmuseum, Amsterdam, 11 جون 1932–4 ستمبر 1932, کیٹ. no. 40.
Rembrandt Tentoonstelling. Ter herdenking van de geboorte van Rembrandt op 15 juli 1606, Rijksmuseum, ایمسٹرڈیم, 18 مئی 1956–5 اگست 1956, Museum Boijmans Van Beuningen, راٹرڈیم, 8 اگست 1956–21 اکتوبر 1956, OCLC 15659340, کیٹ. no. 96.
Rembrandt 1669/1969, Rijksmuseum, Amsterdam, 13 ستمبر 1969–30 نومبر 1969, کیٹ. no. 22.
Rembrandt-Caravaggio, 24 فروری 2006–18 جون 2006, Van Gogh Museum, ایمسٹرڈیم, Cat.no. 29.
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نقوش |
دستخط اور کلنڈر تاریخ :
Rembrandt f. 16[..]
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مراجع |
AnonymousUnknown author, Rijksmuseum Amsterdam online catalogue, as Isaac and Rebecca, Known as ‘The Jewish Bride’, قریباً 1665 date QS:P,+1665-00-00T00:00:00Z/9,P1480,Q5727902 -قریباً 1669date QS:P,+1669-00-00T00:00:00Z/9,P1480,Q5727902 , اونچائی: 121.5 cm؛ اونچائی: 166.5 cmdimensions QS:P2048,121.5U174728 dimensions QS:P2049,166.5U174728 .
AnonymousUnknown author, Amsterdam Museum collectie online, as Portrait of a couple as figures from the Old Testament, known as ‘The Jewish bride’, 1655-1675, اونچائی: 121.5 cm؛ اونچائی: 166.5 cmdimensions QS:P2048,121.5U174728 dimensions QS:P2049,166.5U174728 .
AnonymousUnknown author, RKDimages, Art-work number 3068, as Portrait of a couple as Isaac and Rebecca, 1662-1666, اونچائی: 121.6 cm؛ اونچائی: 166.4 cmdimensions QS:P2048,121.6U174728 dimensions QS:P2049,166.4U174728
AnonymousUnknown author, Bildindex der Kunst und Architektur, object 20186112, as Das Brautpaar (Die Judenbraut), بعد 1665date QS:P,+1665-00-00T00:00:00Z/7,P1319,+1665-00-00T00:00:00Z/9 , اونچائی: 121.5 cm؛ اونچائی: 166.5 cmdimensions QS:P2048,121.5U174728 dimensions QS:P2049,166.5U174728
AnonymousUnknown author, Web Gallery of Art, as The Jewish Bride, قریباً 1665date QS:P,+1665-00-00T00:00:00Z/9,P1480,Q5727902 , اونچائی: 122 cm؛ اونچائی: 167 cmdimensions QS:P2048,122U174728 dimensions QS:P2049,167U174728 .
Domenicus-van Soest, Marleen (2003) Les Chefs-d'oeuvre. Guide [mus.cat.], [Amsterdam]: Rijksmuseum Amsterdam, p. 108, as Isaac et Rébecca ou « La Fiancée Juive ». |
تضبیط سند |
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ماخذ/مصور |
www.rijksmuseum.nl : Home : Info |
دوسرے نسخے |
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